Ian Stone
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Audio Engineer/Mixer
Commercials & Industrials |
Localization and Mixing Pixelogic Media LLC |
|
2020 |
Post Production Mixer
Film |
Kin of Sin Andrew Boomer / Garage Door Films |
|
2018 |
Boom Operator/Sound Mixer/Post Production
Film |
Jason vs Jordan Brock Spady / New York Film Academy |
|
2018 |
Boom Operator/Sound Mixer
Film |
The Familiar Ali Esbai / New York Film Academy |
|
2016 |
Additional Sound (post)
Film |
Vigilante Diaries Christian Sesma / Freelance |
Education
Year | Qualification | Where |
---|---|---|
2019 | Associates in Scince -Recording Technology | Citrus College |
Equipment
My Equipment/Kit:
I can use:
About me
While studying Audio Engineering at Citrus College, I formed a deep passion for film, music, and sound design. I study my profession diligently and perpetually to further develop my own stylization and to successfully meet the unique style needs of my clients. I have worked closely with directors from the New York Film Academy as a production sound mixer, boom operator, and post production engineer. My journey through audio has put me in service of Jason Mewes and Paul Sloan to assist in bringing their post production atmosphere to life. Now, I wish to build on my experiences by taking on new challenging projects in production, post production, scoring, and video game sound design.Referees:
Available on request for privacy reasons.
Additional information:
I encourage you to reach me through my email with any inquiries you may have!
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Sound Designer |
---|---|
Job Titles | Post-Production Management / Support, Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer, Music Director, Composer, Dubbing Editor / Mixer |
Years in industry | 3 to 6 years |