Robby May-Sylianteng
Documents
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document fileNFTS Filmmaking Diploma
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2016 |
2nd Assistant Camera
Event |
Code Red Sabrina Doyle / Ochenta Y Cinco Productions |
|
2015 |
Film Loader & Prep Tech
Film |
Breaking Legs Mark Marchillo / Ditch Pictures |
|
2015 |
2nd Assistant Camera
Film |
Rougarou Catherine Taylor / Swamp Brat Productions |
|
2015 |
Art PA
Television |
Next Food Network Star Triage Entertainment |
|
2015 |
2nd Assistant Camera
Film |
The Dark Wei Xin / New York Film Academy |
|
2015 |
Digital Technician
Film |
Love Addict Charis Orchard / Seashore Productions |
|
2014 |
Digital Technician
Film |
Despair Sessions Cagan Kayi / Gloaming Light Productions |
|
2014 |
Painter
Television |
Mud, Sweat and Gears BBC America |
|
2013 |
Digital Technician
Film |
Noah Hammer Joao Gabriel Kowalski / UCLA Extension |
|
2013 |
Art PA
Television |
Restaurant Express Relativity Television |
|
2013 |
2nd Assistant Camera
Film |
Damn Foreigners Saeed Khoze / L.A. Independent Film & Entertainment |
|
2013 |
2nd Assistant Camera & Camera Operator
Film |
It's Not a Date Barry Pollack, Mischa Pollack / UFO Pictures |
|
2013 |
Digital Technician & Assistant Editor
Film |
Death Factory Steven Judd / Second Nature Films |
|
2013 |
Producer, 1st AD, 2nd AC, Data Loader
Film |
Anything At All Daniel Zak, Danny Schramm / Danny Schramm Films |
|
2013 |
1st AD
Film |
Deadly Dough Racket Ian Conover / Hofstra University |
Education
Year | Qualification | Where |
---|---|---|
2019 | B.S. Liberal Arts | The New School |
2015 | ASC Masterclass (October Masterclass) | American Society of Cinematographers |
2013 | Physical Sciences and German | College of the Canyons |
2013 | ARRI Alexa Technical Intensive | AbelCIne |
2011 | Politics with International Relations and Spanish | University of Plymouth |
Equipment
My Equipment/Kit: 1st AC Kit (Film & Digital), 4x5.65 Filters (ND, 85, BPM, Low Con, etc.), Adobe Creative Cloud (All Apps), ARRI 650 Watt Plus Tungsten Fresnel (120v - 240v), Audio-Technica AT875R Line + Gradient Condenser Microphone, Avenger Roller Stand 34 with Folding Base, AXR- 110 Fluorescent Lights, Blackmagic Cameras, Blackmagic Production Camera 4K (EF), Bolex H16 Reflex, Bosch DLR130 Distance Measurer, Cables (BNC, RCA, XLR, Thunderbolt, USB, etc.), CyberPower EC850LCD Ecologic 850VA/510-Watts Energy Efficient Desktop LCD UPS, Davinci Resolve Dongle, Grip Clamps & Clips, Gruv Gear MUVER 6 Multimode Longbed Cart, Hasselblad 500C/M, Induro DR Hi-Hat Tripod Set, INOVATIV Scout 37 EVO w/ Monitor Accessories & Baby Prin, Leica M3, Libec 2-STG Tripod w/ Manfrotto 526 Professional Fluid Video Head, Matthews & Norms Century Stands, Pentax Spotmatic, Quasar LED Lights, Rosco 20x24 Colour Correction and Diffusion Gels, Sekonic L-758Cine DigitalMaster Light Meter, Sigma 18-35mm f/1.8 DC HSM Art Lens (EF), Sonnet Echo ExpressCar
I can use: Tangent Ripple, Rosco 20X24 Colour Correction And Diffusion Gels, Arri 650 Watt Plus Tungsten Fresnel (120V - 240V), Sigma 18-35Mm F/1.8 Dc Hsm Art Lens (Ef), Axr- 110 Fluorescent Lights, Matthews & Norms Century Stands, Induro Dr Hi-Hat Tripod Set, Sekonic L-758Cine Digitalmaster Light Meter, Blackmagic Production Camera 4K (Ef), Quasar Led Lights, Davinci Resolve Dongle, X-Rite Colorchecker Passport Photo, Leica M3, Bolex H16 Reflex, Zoom H6n, Blackmagic Cameras, Zoom Recorders, Sonnet Tempo Sata Pro 6Gb Expresscard/34, Red (Helium, Dragon, Epic, Scarlet), Arri Alexa (Classic, Xt, Mini), Fischer Dolly, Inovativ Scout 37 Evo W/ Monitor Accessories & Baby Prin, Audio-Technica At875R Line + Gradient Condenser Microphone, Grip Clamps & Clips, Cables (Bnc, Rca, Xlr, Thunderbolt, Usb, Etc.), Bosch Dlr130 Distance Measurer, Cyberpower Ec850Lcd Ecologic 850Va/510-Watts Energy Efficient Desktop Lcd Ups, Sonnet Echo Expresscard Pro, Libec 2-Stg Tripod W/ Manfrotto 526 Professional Fluid Video Head, 4X5.65 Filters (Nd, 85, Bpm, Low Con, Etc.), Adobe Creative Cloud (All Apps), Avenger Roller Stand 34 With Folding Base, 1St Ac Kit (Film & Digital), Hasselblad 500C/M, Gruv Gear Muver 6 Multimode Longbed Cart, Pentax Spotmatic
About me
I was born in the Philippines, studied in the UK, and moved to LA during the spring of 2011. I currently reside, study, and work in New York.I've filled 14 roles across five departments during my six years in Los Angeles. Productions I've worked on range from network television to low budget features.
My job is to make sure that no one's work goes to waste - that we can walk away with something of value, and that every member of the team feels taken care and thought of throughout the process.
I'd like the opportunity to shoot on more celluloid film and develop lighting+optical technology for cinema and architecture.
Referees:
Available upon request.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Creative Director |
---|---|
Job Titles | Electrician, Post Production Assistant, Technical Director / Vision Mixer, Teacher, Translator, Script Reader, 1st Assistant Camera - Focus Puller, Camera Operator, Researcher, Production Support, 3rd AD (Assistant Director), 2nd AD (Assistant Director), Production Assistant (PA), Line Producer, Director, Cinematographer, Script Editor, Writer, Screenwriter, Storyboard Artist, Illustrator, Graphics Artist / Graphic Designer, Colorist, Post-Production Management / Support, Visual Effects (VFX) Artist, Composer, Rigger, IT, Marketing / PR, Creative Director, Carpenter, Key Grip, Gaffer / Lighting Director, Set Artist / Designer, Art Dept Assistant, Video Editor, Music Director, Camera Assistant, Camera Supervisor, DIT / Data Wrangler, Retoucher, Photographer, Videographer, 2nd Assistant Camera - Clapper / Loader, Director of Photography (DOP) |
Years in industry | 3 to 6 years |