Ryan Fee
Audio
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audio fileSliced Dialogue from various productions
Other
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My Contact Number:
916-768-4721
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Production Sound Mixer
Television |
My Last Days season 4 Ahmed Musiol, Farhoud Meybodi / Wayfarer Entertainment |
|
2018 |
Production Sound Mixer
Commercials & Industrials |
Stubhub Superbowl Alfredo De Vila / Contend, LLC |
|
2017 |
Sound Mixer, Boom Operator, Y-7A Audio Utility
Film |
The Matchmakers Playbook Tosca Musk / Driving, LLC - Passionflix |
|
2017 |
Production Sound Mixer/Boom Operator
Film |
I Never Heard My Father Speak Josh Webber / Webber Films, LLC |
|
2017 |
Production Sound Mixer/Boom Operator
Television |
First Entertainment Credit Union Frank Trammariello / Redbeard Communications Inc. |
|
2017 |
Production Sound Mixer/Boom Operator
Television |
Can I Hang? Narumi Inatsugu / IMG Talent Agency / Ronin Productions |
|
2016 |
Production Sound Mixer/Boom Operator
Television |
Bud Light E3 All-Stars Josh Webber / WME/IMG |
|
2016 |
Production Sound Mixer/Boom Operator
Commercials & Industrials |
Buffalo Wild Wings Alive Event: One-on-One Jared Parsons / Contend |
|
2016 |
Production Sound Mixer/Boom Operator
Television |
Recipe Hunters Jenilee Reyes / Hoplite Entertainment |
|
2016 |
Production Sound Mixer/Boom Operator
Film |
Secrets Of Deception Josh Webber / Webber Films, LLC |
|
2016 |
Supervisor Sound Mixer
Television |
Master Of Disaster Lawrence Benjamin / Hoplite Entertainment |
|
2016 |
Production Sound Mixer/Boom Operator
Film |
Bella Yancey Arias / Leading Lobos |
|
2015 |
Production Sound Mixer/Boom Operator
Film |
Shared Rooms Rob Williams / Guest House Films, LLC |
Education
Year | Qualification | Where |
---|---|---|
2017 | Y-7A Audio Utility | IASTE Local 695 Union |
2013 | Music Industry Studies/Audio Engineering | California State University Northridge |
Equipment
My Equipment/Kit: (3) Sennheiser G3, (4) Neopax Transmitter body wraps, (4) Sanken Cos-11D Lavalier Mics, 8' K-Tek Boom Pole, Comtek Pr-16 Receiver 7 & Comtek M-216 Transmitter, F8 8-Channel Timecode Recorder, Lectrosonics 411A Receiver & UM400a Transmitter, Lectrosonics 411A Receiver & UM400a Transmitter Block 19, Sennheiser 416 Boom mic w/Windscreen Blimp, Slate, Sound Device 442 Mixer, Tascam DR-680 Recorder
I can use: Slate, Sound Device 442 Mixer, Tascam Dr-680 Recorder, Sennheiser 416 Boom Mic W/Windscreen Blimp, Lectrosonics 411A Receiver & Um400A Transmitter, (3) Sennheiser G3, (4) Sanken Cos-11D Lavalier Mics, Comtek Pr-16 Receiver 7 & Comtek M-216 Transmitter, 8' K-Tek Boom Pole, (4) Neopax Transmitter Body Wraps, F8 8-Channel Timecode Recorder, Lectrosonics 411A Receiver & Um400A Transmitter Block 19
About me
I'm a IATSE local 695 union Y-7A Audio Utility that sound mixes union and non-union productions. I've had an opportunity to gain extensive boom and wireless experience through my reality series, commercials and feature films. I deliver separate raw ISO tracks, polyfiles, and dailies mixes.My main goal is to capture clean and clear sound with any kind of budget. Connect with me and we will match up the right sound gear for your production.
Ryan Brennan Fee
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Sound Recordist |
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Job Titles | Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist |
Years in industry | 3 to 6 years |
Organisations / Memberships | ASCAP, IATSE |