Eddy Wilson
Documents
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document fileE Wilson Audio Technician CV 2020
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Sound & Lighting technician
Theatre |
Paddington on Ice Mack next UK |
|
| 2019 |
FOH engineer
Theatre |
Richard & Adam: The greatest songmen uk tour HPSS |
|
| 2018 |
Sound No 1
Theatre |
Cinderella Qdos |
|
| 2018 |
Monitor engineer
Music & Singing |
Justin's band Tie line |
|
| 2018 |
Sound no1
Theatre |
Peter Pan Qdos |
Hull new theatre |
| 2017 |
Sound engineer
Theatre |
Kings of Hull John Godber / John Godber company |
Hull new theatre |
| 2017 |
Sound Technician/No 1
Theatre |
Time - Holiday On Ice Holiday on Ice |
|
| 2016 |
Assistant Production Manager - Sound
Theatre |
P&O Cruises Carnival UK |
|
| 2016 |
Head Sound and Light Technician
Theatre |
Various Productions Royal Caribbean International |
|
| 2013 |
Monitor Engineer
Event |
Various Productions Bourne Leisure |
Butlins Skegness - Reds Venue |
Education
| Year | Qualification | Where |
|---|---|---|
| 2010 | Sound Engineering & Production | Birmingham city university |
Equipment
My Equipment/Kit:
I can use: QLab, Digico, Midas Pro2, Yamaha Digital Consoles
About me
My last contract was on tour with holiday on ice with the production "Time" on a european arena tour, working in the load in, fit ups, operating shows and load out. I was also part of the pre production work which involved working with the sound designer to create the showfile in studio One, programming the session and editing audio etc.Previously I worked as an Assistant production manager - Sound, running shows in the theatre on board P&O cruise ships, including various production shows and guest headliner shows. This role also included managing other team members such as stage crew and production technicians.
I have also been a Head Sound and light technician for royal Caribbean where i was responsible for other tasks such as maintenance, keeping stock levels and ordering equipment, managing various venues and also the team of technicians on board.
Having worked a year as a monitor engineer and FOH engineer at butlins skegness, working with 3 different acts a night 7 nights a week. I have worked with every kind of act such as Slade,Professor Green, Coolio, Hermans Hermits, Leanne Mitchell, Toni Warne, Saxon, From the Jam, Go West, Chi Lites, 911 etc etc.
Additional skills:
I am experienced in using both digital and analogue large format consoles such as Digico SD10, SD8, SD11, D1, Midas Pro2, Yamaha CL5 QL5, M7CL, LS9, O1V96, Allen and heath ML5000 etc.
I also have experience using various speaker systems and management such as EAW, Martin Audio, L'acoustics, d&B, Meyer, Clair audio and controllers such as XTA, BSS and Peavey.
As well as Live Audio, i also like to do recording and mixing whenever i get the opportunity, using many DAW such as Ableton, Pro Tools, Reaper.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Sound No.1 / A1 |
|---|---|
| Job Titles | Production Support, Sound Operator / Engineer, Sound Designer |
| Years in industry | 6+ years |
| Organisations / Memberships | BECTU (UK) |
Highlights
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John Foreman (Sound Engineer)
Eddy and I were colleagues for just over a year. Eddy was my monitor tech when I was FOH at Butlins for a 2500 head venue. Eddy became a very competent and professional tech. Working together we made several improvements and repairs to the audio systems. Eddy was always friendly and patient with performers on stage and adeptly managed the multiple mixes required. When acting as my FOH relief he showed himself to have a good ear and produced some excellent mixes. I have no reticence in recommending him for any aspect to do with sound in the entertainment business. Eddy would also be a fine asset to the "team" as he has a great attitude towards "mucking in".