Kriss Dunk
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2013 |
FOH Sound Engineer
Event |
Sound Reinforcement MGS Productions |
Education
| Year | Qualification | Where |
|---|---|---|
| 2012 | FdSc Sound Engineering and Design | School of Sound Recording |
| 2010 | extended engineering | teesside university |
Equipment
My Equipment/Kit: Behringer X32, Valve amplifiers and various back line, Various gates, compressors and effects racks
I can use: Behringer X32, Soundcraft VI1, Yamaha 01v96, midas venice, Allen and Heath GL2400, Various Gates, Compressors And Effects Racks, Valve Amplifiers And Various Back Line, Various Amplifier Racks And Sound Systems, Behringer Ultradrive (Speaker Management System; Crossover), Graphic Equalizers (Various), In-Ear And Wedge Monitor Systems
About me
I am a passionate audiophile who has studied at the renowned Manchester School of Sound Recording (SSR). I am very passionate about all aspects of audio and music and I have various experience from working as a live sound engineer for a professional hire company (MGS Productions), Audio Post Production, studio recording, mixing and mastering. I am primarily available to hire for tours and one off gigs in the Manchester area as a Live Sound Engineer but I also have access to professional analogue and digital studios at great prices.I have experience at RNCM doing live sound reinforcement for performances such as Adam Buxton and Colin Greenwood and I am interested in working more in theaters.
Additional skills:
Please see my equipment section for more information on what I am practically competent with; the list is not exhaustive. Any questions you may have can be answered quickly via email: removed
Referees:
Lewis Barlow.
Emlyn Spiers.
Skills
| Job Titles | Sound Operator / Engineer |
|---|---|
| Years in industry | less than a year |