Britt Berke
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Directing Observer (SDCF)
Theatre |
Fabulation, or the Re-Education of Undine Lileana Blain-Cruz / Signature Theatre |
Signature Theatre |
| 2019 |
Director
Theatre |
Regulars: a reading play by Christine Aucoin |
Dixon Place |
| 2019 |
Director
Theatre |
Liberian Girl in Brooklyn Mabou Mines: SUITE Space |
Mabou Mines |
| 2018 |
Assistant Director
Theatre |
(Naked) The Rover Pitr Strait / Torn Out Theater |
Prospect Park Music Pagoda |
| 2018 |
Director
Theatre |
Promenade: in concert (The Rest I Make Up Marathon) The Public Theater |
The Public Theater |
Education
| Year | Qualification | Where |
|---|---|---|
| 2018 | Theatre, Directing Concentration | Barnard College of Columbia University |
Equipment
My Equipment/Kit:
I can use:
About me
I'm a New York-based director whose works aims to explore how power and femininity are perceived and intertwined. I work regularly with Torn Out Theatre (The Naked Shakespeare Company) and Object Collection, and I am currently the Artistic Assistant to Tamilla Woodard (WP Theatre's Associate Artistic Director). Recent directing credits include 'Promenade' in concert at The Public Theater's The Rest I Make Up Marathon, a one-woman show with Marcelle Davies-Lashley at Mabou Mines, a reading of Christine Aucoin's 'Regulars' at Dixon Place, and Bertolt Brecht's 'A Respectable Wedding' at Barnard College. brittberke.com for more information & resume available upon request.Additional skills:
Devising, dramaturgy, new musicals and plays
Referees:
Available on request
Skills
| Secondary Job Title | Director, Assistant |
|---|---|
| Job Titles | Director, Production Assistant (PA), 1st AD (Assistant Director), Stage Manager, Production Support, Creative Director, Events Management / Support, Talent Manager, General Staff, Teacher |
| Years in industry | 1 to 3 years |
| Work Permits | USA |