Karina DaSilva
Other
-
My Contact Number:
Links
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2018 |
Transcriptionist
Television |
House Hunters Pie Town Productions |
|
| 2017 |
Script Supervisor
Film |
Proxy Bryant Footes Jr. / Pickle Wheezer |
|
| 2017 |
Script Supervisor
Film |
Target’d Matt Eaton, Fernando Raigoza Jr. / Trinoceros |
|
| 2016 |
Script Supervisor
Film |
Last Words Fernando Raigoza Jr. / Trinoceros |
|
| 2016 |
Writer
Online & Multimedia |
Metro General California Lutheran University |
Education
| Year | Qualification | Where |
|---|---|---|
| 2016 | English Literature/ Film&TV Production | California Lutheran University |
Equipment
My Equipment/Kit:
I can use:
About me
Growing up, I always wanted to study stories. I was in love with the concept that within each person, there was a potential to create a new world. Once I graduated college, I realized that my passion for world-building was sated by entering the field of film-making. Because, after all, what is entertainment industry if not a business of building new and unusual worlds?I started out working as a writer on a short web series, and since then, I've become a versatile and flexible creative that has worked on projects all along the film-making pipeline. I've worked in development as a researcher and writer, I've worked on set as a script supervisor, and I've worked in post as a transcription coordinator. I've worked on short films, feature films, and unscripted television.
I have been giving more focus on script supervision, but make no mistake, my passion for script supervision is born from who I am as a writer. And that is, someone who is a stickler for the details. On the various projects I've worked on, I've been able to develop a keen eye for consistency, while giving quick and efficient notes. A narrative is only as strong as the scenes it is built upon, and even the smallest error can weaken an otherwise strong segment. Some people have said I can be obsessed with jotting down everything that goes on, from blocking to make up to dialogue, but I personally believe it's better to be obsessive than to let carelessness make an entire project fall apart.
Additional information:
I bring my own templates and can bring my own clapboard as well. Some of my projects include working with the award winning 48 hour team, TRINOCEROS, during which I have worked upwards of 8 scenes a day. I am paper-based, but work with the CONTINUITY app, and am experimenting with SCRIPTCALC.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Script Supervisor |
|---|---|
| Job Titles | Closed Captioner / Subtitler, Screenwriter, Script Reader, Production Assistant (PA), Script Supervisor / Coordinator, Continuity Supervisor, Production Support, Researcher, Receptionist |
| Years in industry | 1 to 3 years |