Seb Hawkins
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Focus Puller
Television |
DEAF FUNNY S3 Wellington Films |
|
2019 |
A Camera Operator
Film |
MALTESE CONNECTION Empire Productions |
|
2019 |
Loader
Commercials & Industrials |
GLIDE Vermillion |
|
2019 |
Loader
Commercials & Industrials |
JACAMO 'OWN YOUR MOMENT' Diagonal View |
|
2019 |
Focus Puller
Commercials & Industrials |
STUDIO.CO.UK LONDON Collective Noun Productions LTD |
|
2019 |
B Cam Operator
Commercials & Industrials |
LOTUS T130 Good Morning Captain LTD |
|
2019 |
Focus Puller
Commercials & Industrials |
NIKE NETBALL Family Creative |
|
2018 |
Camera Assistant
Television |
QUESTION TIME BBC SCOTLAND |
|
2018 |
Focus Puller
Television |
ROCK N ROLL CARS Pink Flamingo Films |
|
2018 |
Loader
Television |
DEAF FUNNY S2 Wellington Films |
|
2018 |
Focus Puller
Film |
OUTLAWED Outlaw Pictures |
|
2018 |
Focus Puller
Film |
GRANDEST WEDDING OF ROYALS Octopus Media International |
|
2018 |
A Camera Operator
Film |
REQUIM FOR A DREAM Empire Productions |
|
2018 |
Focus Puller
Film |
MACBETH Screen Northants |
|
2018 |
Loader
Film |
VENGEANCE II Evolutionary Films |
|
2018 |
Loader
Commercials & Industrials |
CENTER PARCS Fat Free Films |
|
2018 |
Focus Puller
Commercials & Industrials |
BOSCH SuperDream |
|
2018 |
Focus Puller
Commercials & Industrials |
MITSUBISHI WHATCAR Made To Be Seen |
|
2018 |
Focus Puller
Commercials & Industrials |
STUDIO.CO.UK LIVERPOOL Collective Noun Productions LTD |
|
2018 |
Focus Puller
Commercials & Industrials |
MILWAUKEE AEG LIGHTING Skeleton Productions |
|
2018 |
Focus Puller
Commercials & Industrials |
BEASTS OF BALANCE Vermillion |
|
2018 |
Focus Puller
Commercials & Industrials |
ABRSM Fat Free Films |
|
2018 |
Focus Puller
Commercials & Industrials |
DYSON Tom Gorst Film |
|
2018 |
Loader
Commercials & Industrials |
ROYCO Rascal |
|
2018 |
Loader
Commercials & Industrials |
MARCO POLO WORLD APP Rascal |
Education
Year | Qualification | Where |
---|---|---|
2016 | Level 3 BTEC in TV & Film Production | Confetti |
2014 | Secondary Education | The Newark Academy |
Equipment
My Equipment/Kit: Adobe - After Effects, Adobe - Premiere Pro, Canon EOS 600D, Flycam HD 5000 w/Stabilization Arm, Konova Slider K3
I can use: Canon C500, Adobe - Premiere Pro, Adobe - After Effects, Sony A7S Mki / Ii, Konova Slider K3, Flycam Hd 5000 W/Stabilization Arm, Smallhd Monitors, Canon 5d mk 3, Canon 5D mk 2, Canon EOS 600d, Arri Lighting, Blackmagic Ursa mini 4.6K, Sony FS100, Sony FS700, RED Epic, Panasonic Gh4, Blackmagic Cameras, RED Digital Cinema Cameras, Sony Cameras, Canon Cameras
About me
Freelance Camera Operator/ Camera AssistantI started working in the industry 5 years ago, and have progressed up the long ladder of the industry. I have an understanding of Arri, Red and Panavision systems, and have the ability to adapt to new technology.
I work on lots of projects and have tried to keep this profile as up to date as possible. For a more detailed look at what I do, please check out my CV: https://bit.ly/2GkOACU
--------------
Working on Features and Commercials across the UK and abroad. Please feel free to contact me via my links above.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Clapper Loader |
---|---|
Job Titles | Camera Operator, Camera Assistant, Camera Supervisor, 2nd Assistant Camera - Clapper / Loader, 1st Assistant Camera - Focus Puller |
Years in industry | 3 to 6 years |
Highlights
-
Josh Jones (Director)
Awesome camera man to work with, holding a wealth of knowledge which he was more than willing to share. No complaints or losing his rag when the going got tough with rough weather conditions. Also very punctual, arriving early on set, even though he had some distance to travel. Highly recommend, a joy to work with. -
Alex Newson (DIT / Data Wrangler)
Seb is a great Camera Operator and working with over the past ten days helped me immensely. For someone young, he obviously well versed in his field and is enthusiastic to share his knowledge and his experience with others, like me. Since I am new fairly new to this area I was having to be taught how to use equipment and the terminology, Seb was kind enough to help me and such as using the clapperboard and how a professional crew functions. Without him, I feel that I would have actually known a lot less and not have been given this great overview of the industry. Seb can handle himself in any role and is able to integrate and get on with the cast and crew whilst remaining professional. -
James Murphy (Production Assistant)
I worked with Seb on a challenging shoot and he made the experience so much easier. Despite terrible weather conditions, Seb was able to assist the DOP and director in creating visually brilliant shots through his vast knowledge of lighting, camera positioning, movement and composition. I was deeply impressed not only by his technical abilities, but also his ability to teach as working. I learnt a lot from him in just three days, and would highly recommend him as a camera assistant or a DOP to anyone. A very driven, insightful and creative professional, as well as an all-round great guy, Seb would not only fit in but contribute well to any project he works within. -
Michael Edo Keane (Cinematographer)
Seb is a truly dedicated camera assistant. On a job with mimal crew, he switched between focus pulling to gaffing to camera operating with great aplomb. I would highly recommend Seb to any level of production. -
Millan Hart (Camera Operator)
Best DoP and general filmmaking consultant I could ever ask for!