Jaison Cabebe
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
Director of Photography
Video |
Seiji Oda & Lil Ricefield feat. Guapdad 4000 / Anime Shawties, Vol. 2 Kiko!! / Lil Ricefield / EMPIRE |
|
2021 |
Director of Photography
Online & Multimedia |
Excelsior Stories Jaison Cabebe / Excelsior Coffee |
|
2020 |
Director of Photography
Video |
Myles Parrish / Find My Way to You Kiko!! / Vomac Music |
|
2020 |
Director of Photography
Video |
Aubrea Martyn / By My Side Kiko!! / aubreamartyn.com |
|
2020 |
Assistant Editor, Camera Operator
Online & Multimedia |
Kickback WAV Media |
|
2020 |
Editor, Camera Operator
Performing Arts |
Industry Talks WAV Media |
|
2018 |
1st AC
Video |
Loren Cole / Often Zephyr |
|
2018 |
Gaffer
Video |
PLVNK / Cindy with an S Zephyr |
|
2018 |
Director of Photography
Online & Multimedia |
Lighthouse Proof of Concept Jaison Cabebe |
|
2018 |
Grip
Film |
Hidden in Plain Sight Marvista Entertainment |
Education
Year | Qualification | Where |
---|---|---|
2017 | Film / Television Production | University of Southern California |
Equipment
My Equipment/Kit: 1k dimmers, Blackmagic Ursa Mini 4.6k, Quasar Science Bicolor Q25s, Tungsten Fresnel package
I can use: Blackmagic Ursa mini 4.6K, Quasar Science Bicolor Q25S, Tungsten Fresnel Package, 1K Dimmers
About me
Raised in San Francisco, thriving in Los Angeles, Jaison is a filmmaker / photographer / editor excited about engaging with communities and their inhabitants through the lens of a camera.He graduated from the University of Southern California's School of Cinematic Arts in 2017 with a BFA in Film / Television Production, and between freelance gigs, he spends a lot of time thinking about his favorite rappers, his next camping trip, and what he'll make for dinner.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Gaffer |
---|---|
Job Titles | Video Editor, Cinematographer, Videographer, Gaffer / Lighting Director, Key Grip |
Years in industry | 3 to 6 years |