Liz Canning
Video
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video fileGlobal Mosaic Trailer
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video fileMOTHERLOAD
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video fileThe Ona Story
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video fileWomen in Film San Francisco Bay Area promo
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video fileAnimation/Motion Graphics Demo Reel
- Show All 5 Files
Other
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My Contact Number:
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
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2022 |
Senior Editor
Television |
MasterClass MasterClass |
|
2021 |
Director, Editor
Commercials & Industrials |
promo video for Women in Film San Francisco Bay Area Liz Canning / Women in Film San Francisco Bay Area |
web |
2021 |
Editor
Commercials & Industrials |
Intel Innovation 2021 Wellington Bowler / Intrepid Creative |
|
2021 |
Editor
Television |
Divided Attention: When the children who need the most receive the least Stephanie Ramones / PhillyCam |
|
2021 |
Director, Shooter, Editor
Film |
The Ona Story Liz Canning / Ona.verse |
|
2020 |
Director/Writer/Camera/Editor/Producer
Television |
Global Mosaic Liz Canning / Link TV |
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2020 |
Director/Writer/Editor/Producer/Animator
Television |
MOTHERLOAD Liz Canning / MOTHERLOAD Films |
|
2017 |
Writer/Director/Producer/Camera/Editor
Commercials & Industrials |
Pacific Institute promotional video Liz Canning / MOTHERLOAD Films |
|
2017 |
Writer/director/producer/camera/editor
Commercials & Industrials |
Ross Valley Charter School promotional video series Liz Canning / MOTHERLOAD Films |
|
2010 |
Video Editor
Commercials & Industrials |
Various promotional and educational videos for Bare Minerals Inc. Stacey Kinyon / Bare Minerals Inc. |
|
2006 |
Animator/Writer/Editor
Film |
Girls Rock! Arne Johnson and Shane King / Mission Pictures |
|
2006 |
Editor
Television |
American Blackout Ian Inaba / Guerilla News Network |
|
2004 |
video editor
Commercials & Industrials |
various corporate, commercial and documentary productions Tad Fettig and Mark Decena / Kontent Films |
Education
Year | Qualification | Where |
---|---|---|
1990 | BA in Semiotics from the Department of Modern Culture and Media | Brown University |
Equipment
My Equipment/Kit: 2 GoPro Heroes, 2 Panansonic Lumix GH5s (4K), Canon EOS 6D DSLR, DJI Osmo Handheld Gimbal 4K Camera, Mac Pro with Adobe Premiere Pro, Photoshop and After Effects.
I can use: Canon Eos 6D Dslr, 2 Panansonic Lumix Gh5S (4K), Dji Osmo Handheld Gimbal 4K Camera, 2 Gopro Heroes, Mac Pro With Adobe Premiere Pro, Photoshop And After Effects.
About me
Liz Canning is an Emmy and Sundance Award-winning filmmaker with 30 years’ experience. Her work has screened internationally, winning a 2021 LA Emmy Award (“Could Empowering Girls Transform the World?," director) and a 2006 Sundance Special Jury Prize (American Blackout, editor).Liz's feature directorial debut, MOTHERLOAD, has screened at over 500 venues globally, is subtitled in 10 languages, and won multiple awards and rave reviews in publications like Outside Magazine. MOTHERLOAD won the San Francisco Green Film Festival’s Audience Award and Best Director, Best International Documentary and Best Sound Design at the Hollywood North Film Festival. The Better Cities Film Festival gave MOTHERLOAD their HERO Award for: “a film that is more than a film, but part of a movement. Where the film itself is not just telling the story but becomes a player in the story. The only other film we've given the Hero Award to was Biggest Little Farm. … Good company.” Liz and MOTHERLOAD were invited by The Napa Valley Film Festival to participate in to week-long Artist in Residence program.
After graduating from Brown University’s Department of Modern Culture and Media in with a degree in Semiotics, Liz Canning moved to San Francisco to collaborate with fellow Brown alum and award-winning filmmaker Jon Moritsugu on three of his feature films: Hippy Porn, Mod F*** Explosion, and the ITVS-funded Terminal USA. Liz's 1995 short, Handmirror/Brush Set Included was broadcast on PBS and at the Museum of Modern Art in NYC. The 2007 doc, Girls Rock!, featured four animated montage segments created by Liz to demonstrate cultural forces affecting young girls and was released in theaters nationwide.
In the 90’s Liz created video installations and curated film screenings at Artists Television Access, while teaching, writing and directing the film festival at Film Arts Foundation. From removed , Liz edited a wide range of commercial formats - from 15-second spots to half-hour episodes and 90-minute concerts - for clients such as PG & E, Levi’s,The Northface, Current TV, Bare Minerals. Inc, Oxygen TV, Cytosport, Mekanism, Visa, and Kontent Films.
In 2019 Liz was hired by Link TV to launch Global Mosaic, a new series based on the Peabody Award-winning Mosaic program. Liz was Director/Host/Producer/ Writer/Editor/Camera/Animator on episode 1, "Could Empowering Girls Transform the World?," which aired on Link TV and PBS several times and won a 2021 LA Emmy Award.
More info at https://www.motherload-films.com
More about the feature doc MOTHERLOAD at https://motherloadmovie.com
References:
Geralyn Pezanoski, Producer
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Blaise Panfalone, Producer
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Tasha Nesbitt, Producer
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Denise Bostrom, Story Editor
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License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Video Editor |
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Job Titles | Video Editor, Script Writer, Writer, Script Editor, Director, Producer, Videographer |
Years in industry | 6+ years |